All Jean-Baptiste-Camille Corot Oil Paintings

was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
 
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Jean-Baptiste-Camille Corot Lesende Frau oil painting


Lesende Frau
ID de tableau::  70790 		Lesende Frau
Medium Oil on canvas Dimensions Expression error: Missing operand for *54.3 x 37.5 cm
   
   
     
Jean-Baptiste-Camille Corot La Zingara oil painting


La Zingara
ID de tableau::  70857 		La Zingara
Medium Oil on canvas Dimensions 54 x 38 cm
Medium Oil on canvas Dimensions 54 x 38 cm
   
   
     
Jean-Baptiste-Camille Corot The Harbor of La Rochelle oil painting


The Harbor of La Rochelle
ID de tableau::  72953 		The Harbor of La Rochelle
"The Harbor of La Rochelle," oil on canvas, by the French painter Jean-Baptiste-Camille Corot. 19 7/8 in. x 28 1/4 in. Yale University Art Gallery, bequest of Stephen Carlton Clark, B.A. 1903. Courtesy of Yale University, New Haven, Conn. cjr
   
   
     
Jean-Baptiste-Camille Corot Pond at Mortain-Manche oil painting


Pond at Mortain-Manche
ID de tableau::  73007 		Pond at Mortain-Manche
"Pond at Mortain-Manche," oil on canvas, by the French painter Jean-Baptiste-Camille Corot. 15 1/16 in. x 18 1/4 in. Yale University Art Gallery, gift of Helen G. Altschul, widow of Frank Altschul, B.A. 1908. Courtesy of Yale University, New Haven, Conn. cjr
   
   
     
Jean-Baptiste-Camille Corot Honfleur oil painting


Honfleur
ID de tableau::  88138 		Honfleur
1830(1830) Medium Oil on canvas cyf
1830(1830) Medium Oil on canvas cyf
   
   
     
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     Jean-Baptiste-Camille Corot
     was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.

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